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Literature Criticism
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From: Renascence[(essay date 1971) In the following essay, Slethaug describes “A Perfect Day for Bananafish” as “an enigma or a parable” that is clarified in Salinger’s later novellas and short stories about Seymour.] In “A Perfect...
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From: Literature/Film Quarterly[(essay date 2003) In the following essay, Slethaug compares Alexie's film Smoke Signals with the portions of The Lone Ranger and Tonto Fistfight in Heaven and Reservation Blues upon which the film is based.]...
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From: Canadian Review of American Studies[(essay date fall 1984) In the following essay, Slethaug maintains that A Separate Peace attempts to embody and contrast the two conceptions of play--that of agon and paidia--in the two main characters of Gene and...
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From: English Studies in Canada[(essay date September 1997) In the following essay, Slethaug argues that the narrator of A River Runs through It follows neither his father's logocentric theological view of reality nor his brother's chaotic tendencies,...
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From: Literature/Film Quarterly[(essay date 2003) In the following essay, Slethaug contends that in Smoke Signals Alexie overcomes stereotypes of Indians far better than he does in The Lone Ranger and Tonto Fistfight in Heaven.] ... every little...
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From: Mythlore[(essay date Autumn 1984) In the following essay, Slethaug argues that the Covenant novels defy the traditional modes of "escapism" related with fantasy, as his protagonist is never truly allowed to "escape."] And he...
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From: Literature Film Quarterly[(essay date 2003) In the following essay, Slethaug compares Alexie's short story collection The Lone Ranger and Tonto Fistfight in Heaven with its film version, Smoke Signals, focusing on metaphors of chaos.]...
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From: Extrapolation[(essay date 1993) In the following essay, Slethaug explores Donaldson's "systematic, and very complex, explorations of various social systems of power" in The Chronicles of Thomas Covenant.] One of the first epic...