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From:Contemporary Literature (Vol. 38, Issue 2) Peer-ReviewedGeoffrey Hill's sonnet sequence 'An Apology for the Revival of Christian Architecture in England' in 'Tenebrae' (1978) represents an attempt to use poetry as an act of atonement, or at-one-ment, to reconcile British...
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From:Papers on Language & Literature (Vol. 37, Issue 2) Peer-ReviewedCeremony's a name for the rich horn And custom for the spreading laurel tree. --W. B. Yeats, "A Prayer for My Daughter" Near the conclusion of his Nobel Prize address, Crediting Poetry, Seamus Heaney speaks of...
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From: Papers on Language and Literature[(essay date spring 2001) In the following essay, Bolton analyzes the means and ends of Heaney's poetics, as exemplified by the structure and thematic concerns of what Bolton identifies as Heaney's "station poems."]...
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From: Southern Humanities Review[(review date Spring 2000) In the following review, Bolton finds Out of Sheer Rage "amusing and provocative," but concludes that "those seeking a keener understanding of Lawrence will be disappointed."] British...
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From: Papers on Language and Literature[(essay date spring 2001) In the following essay, Bolton focuses on what he calls Heaney's "station poems," concluding that their structure constitutes Heaney's most direct contribution to modern poetry.] Ceremony's a...
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From: South Atlantic Review
Irish Stew at the Café du Monde: Heterogeneity and the Émigré Experience in Paul Muldoon's 'Yarrow.'
[(essay date winter 1999) In the following essay, Bolton considers the impact Muldoon's emigration to America has had on his poetry through an examination of the long poem "Yarrow," calling it the poet's "most culturally... -
From: Contemporary Literature[(essay date summer 1997) In the following essay, Bolton views "An Apology for the Revival of Christian Architecture in England" as a poem that explores England's imperial past and "reveals an intricate pattern of...