Tagging: changing visual patterns and the rhetorical implications of a new form of graffiti

Authors: Daniel D. Gross and Timothy D. Gross
Date: Fall 1993
From: ETC.: A Review of General Semantics(Vol. 50, Issue 3)
Publisher: Institute of General Semantics
Document Type: Article
Length: 2,288 words
Abstract :

Graffiti is the expression of visual idea as seen or conceived by an individual, and has been developed from its original form through three distinct phases, the imitative, transition and apocryphal phases. The imitative phase shows drawings imitating the surroundings of the graffitist. The transition phase uses words to express social ideas, personal thoughts and messages. The apocryphal phase consists of words made to look like drawings or characters, which can be understood only by a professional graffitist. Apocryphal graffiti, known as tagging, is of two types, individual tagging and group tagging.
Source Citation
Gross, Daniel D., and Timothy D. Gross. "Tagging: changing visual patterns and the rhetorical implications of a new form of graffiti." ETC.: A Review of General Semantics, vol. 50, no. 3, fall 1993, pp. 250+. link.gale.com/apps/doc/A14540573/AONE?u=gale&sid=bookmark-AONE. Accessed 15 Feb. 2026.
  

Gale Document Number: GALE|A14540573