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Academic Journals
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From:Woman's Art Journal (Vol. 36, Issue 2) Peer-ReviewedElaine de Kooning Portraits Essays by Brandon Brame Fortune, Ann Eden Gibson and Simona Cupic DelMonico Books-Prestel for the Smithsonian Institution National Portrait Gallery, 2015 Elaine de Kooning Portrayed...
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From:The Wilson Quarterly (Vol. 31, Issue 1)THE SOURCE: "View Masters" by Margaret S. Livingstone and Bevil R. Conway, in Skeptical Inquirer, Nov.-Dec. 2006. EVEN A PARTIAL LIST READS like a Facebook of 20th-century art: Marc Chagall, Gustav Klimt, Edward...
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From:TLS. Times Literary Supplement (Issue 6068)NINTH STREET WOMEN Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five painters and the movement that changed modern art 972pp. Little, Brown. Paperback, 20 [pounds...
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From:Woman's Art Journal (Vol. 28, Issue 2) Peer-ReviewedWomen artists associated with Abstract Expressionism had to contend with the same challenges as men: anti-intellectualism, traditional museums and collectors' reluctance to buy American art, especially abstraction, and...
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From:TLS. Times Literary Supplement (Issue 5871)Bernard Jacobson ROBERT MOTHERWELL The making of an American giant 120pp. 21 Publishing. $30. 978 1 901785 15 9 In Robert Motherwell: The making of an American giant, Bernard Jacobson gives us a moving...
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From:Woman's Art Journal (Vol. 27, Issue 2) Peer-ReviewedRepresentation and most specifically figuration have in general proved more useful than abstraction to those wishing to use visual art to discuss gender difference and feminist issues in visual art. Feminist content has...
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From:Woman's Art Journal (Vol. 28, Issue 1) Peer-ReviewedEva Hesse's (1936-70) wall-bound sculpture Hang Up, made late in1965, is a landmark in her career (Fig. 1). The cloth-wrapped empty picture frame affixed with a stiff metal loop was, in her estimation, "the most...
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From:Woman's Art Journal (Vol. 34, Issue 2) Peer-ReviewedIn the late 1950s and the 1960s, Reva Urban (1925-87) found success in the art world of New York and beyond, especially with her idiosyncratic "shaped" canvases. Ultimately adopting the single name "Reva," she had a...
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From:The Chronicle of PhilanthropyByline: Caroline Preston When John Pappajohn meets potential business partners on Wall Street, heas always proud to be from Iowa. aItas got a reputation as a place with a great work ethic and integrity,a says the...
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From:Journal of Cancer Research and Therapeutics (Vol. 7, Issue 2) Peer-ReviewedByline: Varsha. Dutta Art, History & Neurology "Stirring Dull Roots with Spring Rain" Part 1 Frontiers of Neurology and Neuroscience. Vol. 19 Editors: Julien Bogousslavsky and Francois Boller Publisher:...
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From:Pakistan Journal of Scientific and Industrial Research Series A: Physical Sciences (Vol. 63, Issue 2) Peer-ReviewedMotor vehicles are the single largest source of toxic carbon monoxide in Karachi because advance emission control devices are not fitted in them mainly due to non-availability of low sulfur or sulfur-free fuel. On the...
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From:TLS. Times Literary Supplement (Issue 5887)FRANK STELLA A retrospective Whitney Museum of American Art, New York until March 7; then on tour Michael Auping FRANK STELLA A retrospective 312pp. Yale University Press. 40 [pounds sterling] (US $65). 978...
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From:Economic Inquiry (Vol. 57, Issue 1) Peer-ReviewedEconomic growth theory distinguishes between reproducible and nonreproducible factors of production. In traditional growth models based on factor-augmenting technical change, perpetual economic growth requires that each...
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From:Economic Inquiry (Vol. 49, Issue 1) Peer-ReviewedThe claim of Bresciani-Turroni that Daimler's equity capital reached the equivalent of only 327 of their cars during the German hyperinflation has spread widely through the hyperinflation literature. There are two...
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From:Rutgers Computer & Technology Law Journal (Vol. 45, Issue 2)I. INTRODUCTION This meditation on transitory art begins with Sol LeWitt. His conceptual art is representative of a large strain of creative endeavors that emerged after 1950. To this day it engages artists,...
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From:Colorado Review: A Journal of Contemporary Literature (Vol. 38, Issue 3)Ignatz, by Monica Youn Four Way, 2010 Reading Monica Youn's second volume of poetry, Ignatz, it is clear that one is encountering art that is not only accessible and freewheeling, but also astute in emotion and...
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From:The Chronicle of Higher Education (Vol. 57, Issue 18)Byline: Peter Monaghan "The mind-boggling contradictions of American culture are nowhere as obvious as in its constantly shifting attitudes toward the naked human body," writes Bram Dijkstra at the beginning of...
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From:Ethics & the Environment (Vol. 10, Issue 2) Peer-ReviewedMy idea in this essay is to talk about how some recent developments in my field--science and technology studies--might pass over into environmental studies. In particular, I want to talk about a certain posthumanist...
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From:The Chronicle of Higher Education (Vol. 57, Issue 41)Byline: Laurie Fendrich A radical democrat persists in an elitist art world He's 85 but doggedly does regular rounds of the New York galleries, and shows up at more artists' openings than an ambitious young tyro...
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From:Black Renaissance/Renaissance Noire (Vol. 11, Issue 2-3)To the chagrin of his high school counselor at the exclusive John Burroughs School in St. Louis, Marshall chose a state school, the University of Illinois, Champaign-Urbana, instead of the venerable Harvard University,...