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• Semantic counterpoint, Hopkins, and The Wreck of the Deutschland

  Author:Dennis SobolevFrom:Studies in English Literature, 1500-1900 (Vol. 44, Issue 4) Peer-Reviewed

  Autumn 20049,808 words Article The complexity, obscurity, and internal contradictions of Gerard Manley Hopkins's poetry are well known. As a result of them, the search for the philosophical unity of his writings was actually abandoned at the end of...

• "The Wreck of the Deutschland" and the birth of the poet: literary form, performative utterance, and Hopkins's "Gift of Tears"

  Author:Stephen TardifFrom:Victorian Poetry (Vol. 54, Issue 3) Peer-Reviewed

  Fall 20169,846 words Article 1600Ldost thou touch me afresh? Over again I feel thy finger and find thee. Gerard Manley Hopkins (1) The last thing one discovers in composing a work is what to put first. Blaise Pascal (2) I must tell you,"...

• Toward a pragmatic poetics: The convergence of form, act, and ontology in Hopkins' "The Leaden Echo and the Golden Echo"

  Author:Andrew Sean DavidsonFrom:Victorian Poetry (Vol. 40, Issue 2) Peer-Reviewed

  Summer 20025,315 words Critical essay I WOULD LIKE TO BEGIN BY RECONSIDERING A WELL-KNOWN DISAGREEMENT between F. R. Leavis and Robert Bridges concerning the poetry of Gerard Manley Hopkins. In 1918, Bridges published the first edition of the Poems of...