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Literature Criticism
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From: Studies in English Literature 1500-1900[(essay date winter 2005) In the following essay, Ellinghausen examines A Sweet Nosgay in order to understand Whitney's construction of herself as a female author, her emphasis on her isolation from family and community,...
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From: South Atlantic Review[(essay date fall 2001) In the following essay, Sharp contends that the central concern of Frankenstein is how reading influences the novel's protagonists and shapes their creative work, and how reading impacts the...
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From: Christian Scholar’s Review[(essay date 1983) In the following essay, Livingstone, contends that Darwin’s use of personification and anthropomorphism in The Origin of Species undercuts his overall argument. He argues that the theory of evolution...
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From: Michigan Germanic Studies[(essay date 1987) In the following essay, Lareau provides an overview of Tucholsky’s involvement with the German cabaret, outlining the development of his career as a cabaret writer and elucidating the reasons for his...
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From: French Historical Studies[(essay date 1999) In the following essay, Brown examines literary property rights of eighteenth century playwrights, considering the views of Beaumarchais in advocating greater control for authors in the royal theater.]...
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From: Guerilla Minstrels: John Lennon, Joe Hill, Woody Guthrie, Bob Dylan[(essay date 1986) In the following excerpt, Hampton offers a detailed overview of Guthrie’s life, career, music, and contribution to the American protest and urban folk movements. Quoted material in this essay has been...
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From: Locating Shakespeare in the Twenty-First Century[(essay date 2012) In the following essay, McCarthy uses the digitized text of an early quarto edition of Richard III to support his argument that the invention of moveable type facilitated “a remixing of physical...
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From:The New Yorker (Vol. 90, Issue 32)Byline: BY LOUIS MENAND CROONER IN RIGHTS SPAT Are copyright laws too strict? Rod Stewart is being sued over the rights to an image of his own head. In 1981, a professional photographer named Bonnie...
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From:The Wilson Quarterly (Vol. 22, Issue 4)The digital age is providing innumerable opportunities in an emerging global marketplace. The key source of the potential rewards of digital information and its overriding advantage is that it is easy and cheap to...
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From:TLS. Times Literary Supplement (Issue 5692)Matters of literary copyright have been aired here and in the Letters column recently, arising from our discussion of the unwanted publication of part of one of James Joyce's letters in book form (see NB, February 17;...
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From:Anarchist Studies (Vol. 20, Issue 1) Peer-ReviewedDespite its emergence as a serious field of academic study, postanarchism harbours a number of ontological, epistemological, and even theological hang-ups - at least if CrimethInc., primitivism, and cyberpunk are any...
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From:Virginia Woolf Miscellany (Issue 78) Peer-ReviewedThe Spring 2010 special topic issue of the Virginia Woolf Miscellany, involving "copyright, intellectual property and future scholarship" (1), is important in the extreme, highlighting issues that will continue to face...
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From:International journal of communication (Online)Peer-ReviewedReviewed by H. Victoria Bryant University of Wyoming, USA Renee Hobbs (foreword by Donna Alvermann), Copyright Clarity: How Fair Use Supports Digital Learning, Thousand Oaks, CA: Corwin, 2010, 144 pp., $15.63...
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From:International journal of communication (Online)Peer-ReviewedThis study offers new insights into (1) sharing health-related information on social media, (2) copyright gatekeeper motivations, and (3) the emotional injury for improper takedowns of online content. Through 18 in-depth...
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From:International journal of communication (Online)Peer-ReviewedThe U.S. Digital Millennium Copyright Act (DMCA) criminalizes decryption of "copy protected" digital content, even if the decryption itself serves lawful purposes that do not infringe on copyright. However, temporary...
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From:Nineteenth-Century French Studies (Vol. 39, Issue 1-2) Peer-ReviewedThis article argues that the shift in author-publisher relations over the course of the nineteenth century, which has been characterized by scholars as alternatively either a "consecration" or a "degradation" of the...
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From:Daedalus (Vol. 131, Issue 2) Peer-ReviewedLegal disputes over intellectual property have exploded in recent years. No field of law is in greater ferment. And in no field of law have judges and scholars experienced more difficulty recently in getting their...
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From:Journal of Modern Literature (Vol. 24, Issue 2) Peer-ReviewedScholars of modern literature who are interested in pursuing archival research may be interested to discover that there are obstacles which they must overcome. Most archival projects divide into two phases or...
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From:American Literary Realism (Vol. 43, Issue 3) Peer-ReviewedIn December 1867, a public reading from the novel Martin Chuzzlewit occurred on the stage of Steinway Hall in New York City. The next day, a reviewer wrote that the novel was "faithfully and delightfully reproduced in...
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From:English Studies in Canada (Vol. 38, Issue 2) Peer-ReviewedMature poets steal. T.S. Eliot The Sacred Wood A composition formed by joining scraps from other authors": this is how Samuel Johnson defines the cento in his Dictionary, a definition that then joins scraps quoted...