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Literature Criticism
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From:English Studies in Canada (Vol. 30, Issue 2) Peer-ReviewedWhen she is dada she is the only one living anywhere who dresses dada, loves dada, lives dada. Jane Heap writing in The Little Review about the Baroness IRENE GAMMEL'S BARONESS ELSA is the first book-length,...
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From:The Literary Review (Vol. 46, Issue 3) Peer-ReviewedElsa von Freytag-Loringhoven is to me the naked oriental making solemn gestures of indecency in the sex dance of her religion. Her ecstasy, to my way of thinking, is one of the properties of art" (Scott, 48). So wrote...
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From:The Literary Review (Vol. 50, Issue 4) Peer-ReviewedKora in Hell , William Carlos Williams' luminous book of prose poems, fascinated me in itself when I first read it seventeen years ago. Then I discovered this review by the Baroness Elsa von Freytag-Loringhoven. At the...
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From:The Literary Review (Vol. 46, Issue 3) Peer-ReviewedRecent feminist readings of modern art history have emphasized the dynamic role of women in promoting, financing, and documenting Dadaism in the US. Margaret Anderson and Jane Heap, editors of The Little Review, were...
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From:The Literary Review (Vol. 46, Issue 3) Peer-ReviewedIn the dusty stacks of a Wisconsin library, I was reading a 1921 copy of The Little Review, captivated by its early modernist edginess, its primitive type, when I came across a blank rectangular space in the midst of...
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From:The Manifesto in Literature (Vol. 2: The Modernist Movement: 1900-WWII. )Baroness Else von Freytag-Loringhoven “The Modest Woman” by the poet and actress Baroness Elsa von Freytag-Loringhoven is a prose poem, initially published in the July 1920 issue of the Little Review, that chastises...