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From:Studies in Romanticism (Vol. 50, Issue 2) Peer-ReviewedTHE ACTIVE AND VEXED DELIBERATIONS OF KEATS'S POETRY--ITS VERY "thinking"--on the topic of human identity remain some of Romanticism's most incisive and expansive reflections on the constitution of selfhood. Keats's...
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From:Poetry (Vol. 199, Issue 5) Peer-ReviewedMy father's been dead for thirty years but when he appears behind my shoulder offering advice, or condemnation, or a quiet pride in something I've done that isn't even thistledown or tiny shavings of balsa wood in the...
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From:Wordsworth Circle (Vol. 40, Issue 1) Peer-ReviewedEvery day, visitors come to the British Museum and contemplate a remarkable collection of sculptures created in Greece some twenty-four centuries ago. The events that translated these ancient artworks into an English...
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From:The Kenyon Review (Vol. 33, Issue 4) Peer-ReviewedBetween the end of April and the beginning of June 1819, John Keats wrote the spring odes that ultimately made his name and fame: and they include, in the common order, "Ode to Psyche;' "Ode to a Nightingale," "Ode on a...
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From:Notes and QueriesPeer-ReviewedNEAR the end of the 'Ode to a Nightingale', lines 73-4 read: Adieu! the fancy cannot cheat so well As she is fam'd to do, deceiving elf. Here, if 'deceiving' means 'cheating,' the turn of thought is impossible:...
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From:Southwest Review (Vol. 81, Issue 4) Peer-ReviewedThe poet John Keats was a confident and passionate man well ahead of his time, and his personality as well as his work speak for the modern human condition as accurately as they did in the past. Keats's curiosity,...
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From:Studies in Romanticism (Vol. 53, Issue 2) Peer-ReviewedWe could posit a desire for communication which is so strong, so idealistic and hence so frustrated, that it becomes inevitably a dream-state. --Geoffrey Hartman, "I. A. Richards and the Dream of Communication"...
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From:The Kenyon Review (Vol. 33, Issue 4) Peer-ReviewedSince 2000 a group of poet-critics has presented a series of lectures at the annual conference of the Associated Writing Programs in an ongoing discussion of lyric poetry and some of its primary forms and practitioners....
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From:Studies in Romanticism (Vol. 45, Issue 2) Peer-Reviewed--For Ulrich Keller THEY WHO MISQUOTE THE TITLE OF KEATS'S ODE MAY NOT BE AWARE OF the truth in their mistake. Indeed, Keats's poem is an ode not "on" but "to" a Grecian urn, most conspicuously so as it opens with a...
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From:Studies in Romanticism (Vol. 55, Issue 4) Peer-ReviewedTHE CONFIDENCE OF JOHN KEATS's WRITING IN 1819 WAS ACCOMPANIED by continuing uncertainty about the moral office of poetry. Most of the more ambitious texts of Keats's great year interrogate their own imaginative logic...
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From:Literator: Journal of Literary Criticism, Comparative Linguistics and Literary Studies (Vol. 28, Issue 1) Peer-ReviewedAbstract Philia and neikos in Keats's "Song of four faeries" Despite the fact that Keats's "Song of four faeries" received very little critical attention, the poem raises interesting issues regarding the creative...
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From:TLS. Times Literary Supplement (Issue 6151)Soon after Keats died in Rome, on February 23, 1821, his publisher announced that a biography of the poet would shortly be published. Keats's friend Charles Brown was appalled. It was too soon; Brown had not even...
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From:Studies in Romanticism (Vol. 59, Issue 1) Peer-ReviewedTO MODERN EYES, FEW POEMS OF THE ROMANTIC PERIOD CARRY A LESS inviting title than Keats's "Specimen of an Induction to a Poem," published in his Poems (1817). Not only is this a poem without a name, it is no more than an...
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From:Studies in Romanticism (Vol. 50, Issue 2) Peer-ReviewedKEATS'S HYPERION POSITS HUMAN FINITUDE AS THE BEGINNING RATHER than the end of aesthetic work. By "finitude" I mean not simply the awareness of death that informs Keats's writing, but more widely the poet's sense that...
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From:Studies in Romanticism (Vol. 50, Issue 3) Peer-ReviewedIN A PREFATORY LETTER TO GEORGE AND GEORGIANA, KEATS CLAIMS TO have written the Ode to Psyche because he is "more orthodox tha[n] to let a he[a]then Goddess be so neglected." (1) In its most apparent sense, this pose of...
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From:Ploughshares (Vol. 36, Issue 1)He hated that he could no longer taste the thick risotto, the paved rosetta rolls soft on the inside, cool globes of fruit plucked from ashy soil, the quivering curd cheese and leafy Puglian greens. All sustenance--even...
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From:Studies in English Literature, 1500-1900 (Vol. 36, Issue 4) Peer-ReviewedContemporary reviewers and modern critics of John Keats are aware of his poems' political import. However, the latter are unsuccessful in locating it in the 19th-century English political spectrum because his politics is...
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From:Studies in Romanticism (Vol. 51, Issue 3) Peer-ReviewedFor Karl Kroeber IN AN ESSAY CHASTISING TWENTIETH-CENTURY CRITICAL EFFORTS TO RECUPERATE Keats as a silenced radical, Paul Fry has remarked: Nor can the author of 'If thy mistress some rich anger shows, / Emprison...
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From:Notes and Queries (Vol. 42, Issue 2) Peer-ReviewedJohn Brown looked down on John Keats' poetry as seen in scornful references to sentimentality in his work entitled 'Psyche: or The Soul, A Poem. In Seven Cantos.' written in 1818. Brown's negative attitude towards...
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From:Studies in Romanticism (Vol. 50, Issue 2) Peer-ReviewedIN A LETTER TO COVENTRY PATMORE, GERARD MANLEY HOPKINS DESCRIBES John Keats as "one of the beginners of the Romantic movement," by which he means one of the poets who helped start the movement away from neoclassical...