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From:Studies in Romanticism (Vol. 50, Issue 2) Peer-ReviewedIN KEATS'S HYPERION (1818), THERE IS ONE PASSAGE IN WHICH LOOKING AT a scene is portrayed in a curiously neutral way, remarked upon but seemingly to no end: Part of the sense of neutrality comes from Keats's...
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From:Studies in American Fiction (Vol. 31, Issue 1) Peer-ReviewedOf a sudden, the Factories burst upon him, or their windows did,--hundreds of bright windows, illuminated every night in honor of Toil,--and which neither the darkness of night, nor the wilderness of the storm, could...