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Literature Criticism
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From: Sir John Tenniel: Aspects of His Work[(essay date 1994) In the following essay, Simpson suggests that, in Alice's Adventures in Wonderland and Through the Looking-Glass, both Tenniel's illustrations and Lewis Carroll's text are born from an amalgam of two...
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From:Criticism (Vol. 45, Issue 4) Peer-ReviewedWHEN JOHN TENNIEL was providing 42 illustrations for Alice's Adventures in Wonderland in 1864 he was in his mid-forties, an established illustrator and a Punch cartoonist. At that time C. L. Dodgson and Lewis Carroll...
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From: History Today[(essay date May 2007) In the following essay, Bryant presents a critical examination of Tenniel's wide body of political cartoons for the renowned English periodical Punch.] The Indian Mutiny of 1857-58 was a bloody...
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From:Children's Literature Review (Vol. 113. )REPRESENTATIVE WORKS: Randolph CaldecottThe Diverting History of John Gilpin [illustrator; written by William Cowper] (picture book) 1878The House that Jack Built (picture book) 1878Sing a Song for Sixpence (picture...
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From: Criticism[(essay date fall 2003) In the following essay, Smith argues that, as an established artist and as the collaborative partner on Lewis Carroll's Alice books, Tenniel served as the first critical reader for the celebrated...
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From: Sir John Tenniel[(essay date 1948) In the following essay, Sarzano offers a critical introduction to Tenniel's career as an illustrator, noting that the artist left behind "two thousand Punch cartoons for future historians, thirty-eight...
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From: Sir John Tenniel: Alice's White Knight[(essay date 1991) In the following essay, Engen charts the often combative collaboration between Tenniel and Lewis Carroll throughout the publishing history of Alice's Adventures in Wonderland and Through the...
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From: Lewis Carroll and His Illustrators: Collaborations and Correspondence, 1865-1898[(essay date 2003) In the following essay, Cohen and Wakeling offer a detailed glimpse into the tense correspondence between Tenniel and Lewis Carroll during the creation of Alice's Adventures in Wonderland and Through...
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From: The History of the Nineteenth Century in Caricature[(essay date 1904) In the following essay, Maurice and Cooper examine Tenniel’s satirical caricatures of the Crimean War, praising in particular “What It Has Come To” and “The British Lion’s Vengeance on the Bengal...
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From: Alice in a World of Wonderlands: The Translations of Lewis Carroll’s Masterpiece. Volume One: Essays[(essay date 2015) In the following essay, Pereira examines how numerous illustrators have handled the image of Alice’s fall through the rabbit hole. Pereira notes that Carroll’s intention was to rid the Victorian child...
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From: English Caricaturists and Graphic Humourists of the Nineteenth Century[(essay date 1893) In the following excerpt, Everitt discusses Tenniel as a satirist of the late century wars in Europe, India, and Africa, noting that his satirical thought is even more advanced than his skill at...
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From: Toilers in Art[(essay date 1891) In the following essay, Walker notes that “to the student of social manners and to the historian … the records and examples of caricature art supply hints and information … that will in vain be looked...
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From: Artist of Wonderland: The Life, Political Cartoons, and Illustrations of Tenniel[(essay date 2005) In the following essay, Morris explores the "grotesque" aspects of Tenniel's Alice illustrations, arguing that Tenniel's illustrative contributions connect the realist and surrealist aspects of...
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From: The Life and Works of Sir John Tenniel, R.I.[(essay date 1901) In the following essay, originally printed as a monograph, Monkhouse, concerned that Tenniel’s reputation rests solely on his Punch cartoons and Alice illustrations, calls for an appreciation of the...
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From: The Art of England: Lectures Given in Oxford[(essay date 1884) In the following essay, Ruskin notes that the general position of Punch is that of “a polite Whig, with a sentimental respect for the Crown, and a practical respect for property,” and that Tenniel’s...