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From:American Music (Vol. 39, Issue 1) Peer-ReviewedUna historia de la musica colonial hispanoamericana. By Leonardo J. Waisman. Buenos Aires: Gourmet Musical Ediciones, 2019. ISBN: 978-987-3823-24-4. Paper. Pp. 480. $37.50. As colonial music scholars cross the...
From:American Music (Vol. 39, Issue 1) Peer-ReviewedIn the fall of 1852, John Sullivan Dwight received a letter in Boston from an eager subscriber to his Journal of Music. Writing from Louisville, Kentucky, Joseph B. Smith complained that his copy of the periodical had...
From:American Music (Vol. 39, Issue 1) Peer-ReviewedSeated in the middle of an all-male composers' panel at the 2017 College Band Directors National Association (CBDNA) conference, composer Steven Bryant remarked upon the absence of diverse programming on wind ensemble...
From:American Music (Vol. 39, Issue 1) Peer-ReviewedFlorence Beatrice Price (1887-1953) and Theodora Sturkow Ryder (18761958) were prominent composers in interwar Chicago. (1) Both wrote works for orchestra, chamber ensemble, solo instruments, and voice that transformed...
From:American Music (Vol. 39, Issue 1) Peer-ReviewedIsland Gospel: Pentecostal Music and Identity in Jamaica and the United States. By Melvin Butler. Champaign: University of Illinois Press, 2019. ISBN: 978-0-2520-5176-0. E-book. Pp. 224. $9.99. Hymns such as "One God...
From:American Music (Vol. 39, Issue 1) Peer-ReviewedSeptember 2017. A queer open mic in Oakland, California. A voice from the front shouts, "Welcome ... your girl ... Sanaa!" A queer Black femme takes the stage. The audience of twenty-five LGBTQ folks, women, and people...
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