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From:American Music (Vol. 39, Issue 3) Peer-ReviewedMusicas coloniales a debate: Procesos de intercambio euroamericanos. Coleccion Musica Hispana Textos. Edited by Javier Marin Lopez. Madrid: Instituto Complutense de Ciencias Musicales, 2018. ISBN 9788489457553....
From:American Music (Vol. 39, Issue 3) Peer-ReviewedI start this article, which is about the role of nonmusicians in creating and sustaining music do-it-yourself (DIY) scenes in the United States, with a short ethnographic and biographical insight into the article's main...
From:American Music (Vol. 39, Issue 3) Peer-ReviewedA Dispatch from the Abortion Wars On a rainy Saturday in May 2018, I visited an independent abortion clinic in the Southeast. (1) Known as a "destination clinic" within the antiabortion movement, this abortion clinic...
From:American Music (Vol. 39, Issue 3) Peer-ReviewedDear Reader: The sound examples are intended as expressive emphases to the written text as much as demonstrations of its scholarly claims. Their relationship and the relationship of the interpolated poems to those claims...
From:American Music (Vol. 39, Issue 3) Peer-ReviewedThe Invention of Latin American Music: A Transnational History. By Pablo Palomino. New York: Oxford University Press, 2020. ISBN 9780190687410. Paper. Pp. 260. $39.95. Pablo Palomino's The Invention of Latin American...
From:American Music (Vol. 39, Issue 3) Peer-ReviewedThe second act of the musical Show Boat begins on the bustling Midway Plaisance, storied entertainment district for the 1893 World's Columbian Exposition in Chicago (figure 1). In the original production, which premiered...
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