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Literature Criticism
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From:Art and Christianity (Issue 110) Peer-ReviewedIn British Victorian homes expressions of Christianity began to populate the mantelpiece, in the form of a multitude of colourful, naive biblical and other religious pottery figures. Their origins lay in a range of...
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From:Art and Christianity (Issue 110) Peer-ReviewedIkon Gallery, Birmingham 23 February--29 May 2022 Jonathan Watkins, the director of Birmingham's Ikon gallery, has brought the Venetian born Crivelli to the Venice of the north, thanks to a grant from the Ampersand...
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From:Art and Christianity (Issue 110) Peer-Reviewed'Wounded trees and wounded men are still very much an image in my mind as a hangover from the war' wrote the painter, poet and engraver David Jones (1895-1974) in 1967 to the military historian Colin Hughes. (1) Jones...
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From:Art and Christianity (Issue 110) Peer-ReviewedCoventry Cathedral 19 March--31 May 2022 Although a relatively small gathering of Jacob Epstein's sculpture, the 14 pieces now assembled in Coventry Cathedral give a striking impression of the artist's versatility....
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From:Art and Christianity (Issue 110) Peer-ReviewedThe Hepworth Wakefield 7 April--4 September 2022 Chambered in a single room, over 20 works of devotion by Prafulla Mohanti hold still. The display, titled 'Full Circle', is the first time so many works by Mohanti have...
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From:Art and Christianity (Issue 110) Peer-ReviewedAn extract from a tribute given by Sir Kenneth Carlisle, cousin to Richard, at his funeral on 8 March 2022 A funeral is, rightly, a sombre occasion. But it is impossible to think of Richard and not smile. It is the...
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From:Art and Christianity (Issue 110) Peer-ReviewedVarious venues, Venice 24 April--27 November 2022 'The pressure of technology, the heightening of social tensions, the outbreak of the pandemic and the looming threat of environmental disaster remind us every day...
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From:Art and Christianity (Issue 110) Peer-ReviewedTowner Gallery, Eastbourne 15 February--22 May 2022 In 2014, the Iraqi-Irish artist Jananne Al-Ani was introduced to two objects that would spur the course of her work. The first was an intriguing and richly decorated...