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Literature Criticism
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From:Black Renaissance/Renaissance Noire (Vol. 19, Issue 1)Leonardo Drew's residency in late 2018 and early 2019 at a foundry in Jingdezen, China, world renown for its porcelain ceramics, was organized for him to create a new body of art in preparation for an exhibition at the...
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From:Black Renaissance/Renaissance Noire (Vol. 19, Issue 1)Timoun kipa kriyepa tete maman "A child who doesn't cry will not get breastfed," says a Haitian proverb. Haitians have now gone beyond crying; they are roaring. As I look back to last September 2018, when I arrived...
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From:Black Renaissance/Renaissance Noire (Vol. 19, Issue 1)Caption: Jean-Michel Basquiat, 1985. Caption: Betye Saar. Caption: Diana Ross with Berry Gordy. Caption: Eartha Kitt. Caption: Eve Sandler. Caption: Hamiet Bluiett. Caption: Maya-Angelou with Louise...
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From:Black Renaissance/Renaissance Noire (Vol. 19, Issue 1)I have known for decades that the debt I owe to Francis Patsey, my grandfather, is a large one. Even in old age I still step in the shoes of my grandfather. And as I sit on this log on the beach near the low cliff...
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From:Black Renaissance/Renaissance Noire (Vol. 19, Issue 1)I am beginning to think the "American Experiment" is on its deathbed (perhaps at best, it's on life support), and we citizens of these-yet-to-be United States of America find ourselves divided--yet again--by Donald...
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From:Black Renaissance/Renaissance Noire (Vol. 19, Issue 1)ABSTRACT The phrase, "enabling environment," is a recurrent decimal in the rhetoric of most Nigerian politicians, implying the urgency to create it and fast-forward development. But whatever that means in praxis...
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From:Black Renaissance/Renaissance Noire (Vol. 19, Issue 1)Reflections on the composition of the book of poetry Atmospheric Embroidery (TriOuarterly Books/ Northwestern U Press, 2018) What goes into the making of a book? Memory, dream, desire and always the pressure of the...