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From:Journal of the American Musicological Society (Vol. 74, Issue 3) Peer-ReviewedSonic Visualiser: Visualisation, Analysis, and Annotation of Music Audio Recordings. Centre for Digital Music at Queen Mary (University of London) and the AHRC Researcher Centre for the History and Analysis of Recorded...
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From:Journal of the American Musicological Society (Vol. 74, Issue 3) Peer-ReviewedDancing Revolution: Bodies, Space and Sound in American Cultural History, by Christopher J. Smith. Music in American Life. Urbana: University of Illinois Press, 2019. xii, 255 pp. Christopher J. Smith's Dancing...
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From:Journal of the American Musicological Society (Vol. 74, Issue 3) Peer-ReviewedMetropolitan Opera Archives. URL: https://wwvv.metopera.org/discover/archives/ Traveling Culture: Circuit Chautauqua in the Twentieth Century. Iowa Digital Library, University of Iowa Libraries. URL:...
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From:Journal of the American Musicological Society (Vol. 74, Issue 3) Peer-ReviewedAmerican Music and Racial Fantasy, Past and Present (1) RHAE LYNN BARNES and GLENDA GOODMAN An ideology of racial difference is baked into American music history. The staggering diversity of music heard in the...
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From:Journal of the American Musicological Society (Vol. 74, Issue 3) Peer-ReviewedThe Invention of Latin American Music: A Transnational History, by Pablo Palomino. Currents in Latin American and Iberian Music. New York: Oxford University Press, 2020. xi, 272 pp. "Latin American music" is such a...
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From:Journal of the American Musicological Society (Vol. 74, Issue 3) Peer-ReviewedExtreme Exoticism: Japan in the American Musical Imagination, by W. Anthony Sheppard. New York: Oxford University Press, 2019. xiv, 623 pp. W. Anthony Sheppard's book Extreme Exoticism is a rich, encyclopedic account...
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From:Journal of the American Musicological Society (Vol. 74, Issue 3) Peer-ReviewedThis article compares extractivist ideologies of voice and listening in late eighteenth-century Europe and China to envision a decolonial comparativism. Inspired by Dylan Robinson's "apposite methodology," the article...
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From:Journal of the American Musicological Society (Vol. 74, Issue 3) Peer-ReviewedMapping Medieval Identities in Occitanian Crusade Song, by Rachel May Golden. New York: Oxford University Press, 2020. xviii, 284 pp. In Mapping Medieval Identities, Rachel May Golden explores the topic of crusade in...
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From:Journal of the American Musicological Society (Vol. 74, Issue 3) Peer-ReviewedFilm, Music, Memory, by Berthold Hoeckner. Cinema and Modernity. Chicago: University of Chicago Press, 2019. viii, 278 pp. The idea of a "mind's eye," of externalizing internal thoughts and memories, has been a...
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From:Journal of the American Musicological Society (Vol. 74, Issue 3) Peer-ReviewedShellac was essential to the gramophone industry throughout the first half of the twentieth century, yet the material has long kept a low profile. At once inaudible and urgently required, shellac was a plastic and...