William H. Gass, a philosopher and literary critic as well as a fiction writer, derives from and is closely allied to the symbolistes, Gertrude Stein, Ortega y Gasset, John Crowe Ransom and the New Critics generally, Borges, Robbe-Grillet, Sarraute, and the structuralists. He believes that language is all in all; that words are not agents to instruct or direct us in fiction but that they exist there for their own sake; that the novelist must keep us imprisoned in his language, because there is nothing beyond it; and that the only events in novels are linguistic events. Metaphor is the means by which concepts are expressed in fiction. The writer, furthermore, does not simply render a world; he makes one out of language, creating imaginary objects and imaginary lives. He works toward the purity of prose fiction and the autonomy of art. He works against the concept of mimesis, that is the imitation of "reality," partly because it is futile for the artist to strive for the illusion of life,...
William H. Gass: Overview
From: Contemporary Novelists(6th ed.)
Document Type: Critical essay
Length: 683 words
Article Preview :
Full Text: COPYRIGHT 1996 Gale Research, COPYRIGHT 2007 Gale
Gale Document Number: GALE|H1420003193