Carnival in Venice or protest in Paris? Louis XIV and the politics of subversion at the Paris opera

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Author: Georgia Cowart
Date: Summer 2001
Publisher: University of California Press
Document Type: Article
Length: 15,823 words

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Abstract :

GEORGIA COWART is Associate Professor of Music at Case Western Reserve University. She is the author of The Origins of Modern Musical Criticism: Quarrels over French and Italian Music, 1600-1750 (Ann Arbor: UMI Research Press, 1981) and editor of and contributor to French Musical Thought, 1600-1800 (Ann Arbor: UMI Research Press, 1989).

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Gale Document Number: GALE|A82352649